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Archive for October, 2013

I was privileged to experience the slow art of tapestry with a wonderful instructor (Anthea Mallison) when I studied textile art at Capilano University. Although I was never really any good at it in the short span of time we had with our projects – it was a great experience to understand the art of hand weaving. I feel like if I wove using this technique for years and years (which is how long it takes to complete a large hand woven tapestry) perhaps I would improve my skills – not that I’m going to do that!. I believe I will stick to my somewhat automated Louet floor loom.

The Unicorn - detail - like a painting

Detail – The Unicorn’s hoof

On a recent trip to New York City I was privileged to see the beautiful Unicorn tapestries that are hanging in the The Cloisters in New York City – part of The Met museum. It was quite something to see this series of 7 hangings showing the plight of the Unicorn in this incredible medieval setting.

The Unicorn tapestries - wee rabbit detail

Detail – this little guy is an iconic motif used on the Met’s marketing materials for The Cloisters! No wonder – he is wonderful.

The Unicorn - silver wrapped yarn in collar - to see is to appreciate

Detail – the collar features the silver and gilt wrapped yarn and is so lovely and sparkly.

the Unicorn Taps - Gorgeous sleeve

Detail – gorgeous sleeve showing the visual folds made possible by the skill of the weaver

I just learned that the Unicorn tapestries are being re-created and starting in October are on show at Stirling Castle in the U.K. This link gives all the details and has some great information about the beauty and techniques involved with the slow art of tapestry:

The Slow slow art of Tapestries – check out the wonderful video at the bottom of the link where one of the tapestry weavers is interviewed. The weaver talks about her experience and some of the techniques used to create this art. Hope to be able to see these modern interpretations of The Unicorn one day.

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Some draping images showing the work I did this week – silk jersey and silk organza fabric eco dyed in an onion skin dye bath (with rust). The plant materials used from my urban dye garden were eucalyptus leaves, purple sage leaves, cosmos flower blossoms and wild geranium. The dominant print motif is from the eucalyptus leaves which turned out a lovely purple colour in my dye bath.

2013-10-15 17.41.47 2013-10-15 17.54.29 2013-10-15 15.09.46 2013-10-15 17.49.12 2013-10-15 15.17.06 2013-10-15 15.21.00 2013-10-15 13.59.43At a recent workshop with Nicola Brown a group of us created nuno felted wearables. Nuno felting is a wet felting technique where you incorporate unspun wool into a piece of silk fabric. It produces a lovely airy and light fabric if done right! Besides being re-inspired to try my hand at nuno felting thanks to Nicola’s expertise,  (I had been introduced to nuno felting during my Capilano University Textile Arts days), the workshop was a great reminder that onion skins are a gratifying and reliable natural dye. Particularly in combination with rust.  And particularly on the natural fibres of wool and silk. Other than a bit of a vinegar soak – no pre-mordanting (preparing the fabric to accept the dye colour) is required.

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Nuno Felted length (silk & wool) – eco printed with tea, eucalyptus leaves and buds using onion/rust dye bath from Nicola Brown’s workshop

After my past few months of a lot of experimentation with different natural plant materials from my urban dye garden – some successful and some not – it was wonderful to get back to basics using the onion skins in the dye pot. Not only do the onion skins produce a lovely chocolate brown dye (when combined with rust) you are also assured that the dye on the fabric is resistant to fading because of the substantive qualities of onion skin.

Thanks for the great technical learning experience and the inspiration to get back to it Nicola!  http://clasheen.wordpress.com Can’t wait to try some more nuno felting.

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Super felt and prints at the second Vancouver workshop!.

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